The Forge: Short Fiction: June 2003 Archives

There's a sound coming from downstairs, and then it's silent. A moment later you hear the unmistakable creak of your front door opening and closing. Your heart starts to beat faster and you ask yourself, Who the hell is that?

You take a deep breath and try to steady your nerves as you slowly reach for the 9mm you keep in the drawer next to your bed. You sigh with relief when your fingers find it, and you pull it out and quickly clutch it to your chest. The heft is reassuring. You sit still and try to take stock of the situation.

Footsteps approach from the hallway, coming towards your room. I'm not the only one with keys, you realize. It could be a family member or a friend. It could be a murderer, too. But you wait a bit longer, not wanting to make a terrible mistake.

Your bedroom door opens in the darkness to reveal a formless silhouette. "Freeze!" you shout, holding the gun out at arms length as all the cop movies you've ever seen race through your mind. "I've got a gun!"

The figure freezes for a moment, and then flips on the light. You blink a few times and then sit there astonished. You don't know who the intruder is, but he's standing there in your bedroom doorway with a gun in one hand and an empty sack in the other, smiling.

"Who are you?" you ask, incredulous at the invasion of your home and the jaunty manner of the unknown man who is now pointing a gun at you.

"Robber," he says, looking around. "Where do you keep the good stuff?"

"What? Look, you're not getting anything, now put your gun down," you say, trying to sound as serious as possible.

"Of course," he responds. "I'll be happy to. After you. Would you mind filling my sack here up with any jewelry or cash you having lying around?"

Just then you hear the sirens outside and the sound of dozens of feet bursting into the house downstairs. "The cops are here," you tell the robber.

He shrugs and puts his gun in his pocket just as the first officer arrives. "I called them myself," he whispers to you conspiratorially from across the room.

The cop pushes the robber into the room and points his gun at you; "Drop it!" he commands, and you do. "Alright, what's going on here?"

The robber begins, "This guy pulled a gun on me, that's why I called you."

"Is that right?" the officer asks, turning towards you.

You're nearly speechless but you nod. "He broke into my house! He pulled a gun on me! Look at him, he's a robber. He's got a sack to carry off all my stuff!"

The officer looks back and forth between the two of you. "Well, I don't really see the need for violence," he says, and picks your gun up off the floor. "It seems like we should be able to reach an amiable and mutually beneficial resolution."

The robber nods sagely, but you exclaim "What are you talking about?! Aren't you going to arrest this guy?"

The officer gets a pained look on his face for a moment, but it clears. "Look, it's easy to get all confounded trying to figure out who started what and whose 'fault' things are, but let's not get bogged down. How about this: give the robber half a sack of valuables and then he'll be on his way."

The robber smiles agreeably. "Naturally," he says, "a half-sack would be quite sufficient. There's really no need for this to get out of hand."

"That's absurd! He'll just want another half-sack tomorrow!" you tell them both, and they look quite surprised by your reaction.

"We need to find a compromise - " the robber begins.

"... a process that will result in solution that's agreeable to both parties..." the officer starts explaining to you.

"No! No! Listen, I'm not giving anything to this robber under any circumstances!" you shout over them until they fall silent.

The officer sighs. "Try to understand his perspective. No? Very well. Look, I'll let you guys sort it out yourselves and come back tomorrow."

The robber nods and waves to the officer as he leaves. Once the cars pull away from the front of your house he smiles again before pulling the gun from his pocket and turning off the lights.

I had a dream last night that I just can't get out of my head. I'm sure it won't make any sense when I write it down, but I don't want to forget it -- and even though these words may not mean anything to you, next year they might be sufficient to remind me of the dream.

It starts out and I'm at summer camp. There's some sort of large gathering in a common room, and I'm standing in the back, watching, rather than sitting in the rows of chairs with the other kids. The back row of chairs is empty except for two girls who I don't know: one is mostly formless but I get the impression she has straight blond hair; I can see the other clearly and she has curly brown hair.

I'm not really listening to whatever is being said, and so I'm caught by surprise when all the kids get up to leave. The two girls I'm watching file out last and kinda look at me as they go by, but I don't say anything. Then the room is empty and I get a really sad feeling like "idiot, you should have said something".

The dream then cuts to an outdoor scene, and everyone is filing back into the room. Maybe it's a dining hall now, it's hard to say. I'm still focused on these two girls. I go in after them, and then the dream cuts to everyone leaving the room again, only this time the two girls stay behind with me and we start talking. I really like both of them, and they both seem to like me, but I know that the blond one isn't right somehow. I fall in love with the curly-haired girl, but I'm not supposed to -- it's not allowed for some reason. The three of us are sitting on a bench (like a park bench, except indoors) with me on the right, the blond girl in the middle, and the curly-haired girl on the left.

I've got my arm around the blond girl and she's leaning against me, but we can see that it makes the curly-haired girl jealous, so the blond girl stops leaning on me and leans on the curly-haired girl and puts her legs up in my lap. The curly-haired girl is still not happy, and this bothers me. The blond girl is great and all, but I'm only with her because I'm not supposed to be with the curly-haired girl, and we all know this. So the blond girl gets up and leaves me with the curly-haired girl, who I then put my arm around. She's soft, and has beautiful hair.

After that, the three of us are friends. I learn (from a note that they leave me) that the curly-haired girl's name is Kennedy, and the blond girl's name starts with an "A" and her last name starts with a "V", but I can't read the writing clearly. The note is taped to the rear license plate of my car, which is white. After reading the note (which is covered in little pink and purple hearts drawn with sparkle-pen) I realize that I need to tow my car.

I've got a giant tow-truck there ready to go. I have trouble climbing into it because it's so high, and I have to do a chin-up to get onto the sideboard. I start driving away but I realize that I'm leaving both the girls behind, so I stop. I look out the window of the huge truck and see the two girls standing... with Jaime Kennedy.

Apparently, the curly-haired girl named Kennedy got tired of waiting for me, and Jaime Kennedy stole her away. A.V. is sad for me because she knows that curly-haired Kennedy and I are meant for each other, but at the same time she's happy because now she knows she'll get me. Although it makes me feel really guilty to do so in front of A.V., I try to explain to Kennedy that she can't possibly go out with Jaime Kennedy for obvious reasons. I'm not sure how effective I am, however, because at this point I woke up.

The dream left me feeling very melancholy. I knew I could be happy with A.V. -- who I did like a lot -- but I also felt like I missed out on someone very important to me.

So she leaves it open?

She doesn’t leave it open, she gets up after I fall asleep and opens it.

She opens the window while you’re asleep.

Right.

And you get cold, or what?

I just can’t sleep with the window open. It’s cold, it’s noisy – you know.

So you talked to her about it?

I tried to. I mean, I told her several times that I can’t sleep with the window open. It’s like she doesn’t even listen.

Huh.

And it’s not just the window. Sometimes she leaves the bathroom door partly open, too.

Well, that seems unnecessary.

Exactly, I don’t want to deal with that for the rest of my life.

Apparently not.

Like I said, I’ve tried talking to her about it. I love her and everything, really, but this just isn’t going to work out.

But you still love her?

Oh, yeah, you know, she’s great, mostly. It’s just that, well, I just don’t think we’re meant to be.

Too many open issues.

Right. Like the drawers in the kitchen. Sometimes when she gets a knife or whatever she pushes the drawer closed and it doesn’t go all the way. She leaves it hanging open, like, an inch! It’s so annoying. She doesn’t even notice. All the cabinets, doors, windows, everything.

Strange.

See, I think it’s some sort of escape thing. Like, psychologically. She wants to leave herself a way out.

Psychologically.

Right. She knows it’s not working too, and psychologically she’s trying to escape.

Wow.

Well, you have to look underneath the surface sometimes, to get to the root of the problem.

About this Archive

This page is a archive of entries in the The Forge: Short Fiction category from June 2003.

The Forge: Short Fiction: April 2003 is the previous archive.

The Forge: Short Fiction: July 2003 is the next archive.

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